When I heard “Passing Me By” in 1992, I understood the lo-fi aesthetic in the crackling needle and distorted, ghostly organ sample from Quincy Jones’ “Summer in the City”. The saxophone precursor to the chorus also introduced me to a more sophisticated rap-jazz fusion. This article or section may https://lo-fi-beats-for-work91103.blogripley.com/31709654/não-conhecido-detalhes-sobre-lo-fi-jazz