When I heard “Passing Me By” in 1992, I understood the lo-fi aesthetic in the crackling needle and distorted, ghostly organ sample from Quincy Jones’ “Summer in the City”. The saxophone precursor to the chorus also introduced me to a more sophisticated rap-jazz fusion. This article or section may https://musiclofijazz81356.blogtov.com/11644651/5-dicas-sobre-lo-fi-coffee-você-pode-usar-hoje